JG Art Gallery + Events — Bainbridge Island · Park City · Worldwide

Summer on the Snake River by Lisa McShane — Golden Hour
Lisa McShane · Summer on the Snake River · Oil on linen on panel · 36 × 48 in
Contemporary fine art · Worldwide
Now open · Golden Hour — September 4 — October 1, 2026

A contemporary fine art gallery whose front door is on every screen. Same exhibition, same selection, same opening hour, same standard — in Bainbridge, in Park City, or on the device you're holding. Step in slowly. Stay as long as the work asks you to.

Browse the collection Now open · Golden Hour
The position

Most galleries pick a side. Some serve a small circle of collectors at prices that exclude almost everyone. Others serve everyone, but selection becomes a database query and provenance becomes a checkbox. JG Art Gallery was built to refuse that trade-off.

Curation that earns the wall, transparency that earns the trust. Every work selected the way a gallery selects, every price shown the way a serious commerce platform shows. Worldwide shipping with documentation that reads like research, not a receipt. Payment plans for collectors who want to live with the work before they finish paying for it. A fourteen-day in-home trial because a piece either belongs in your space or it doesn't, and you should know which before the invoice closes.

Not the biggest gallery. The clearest one.
See the work
Mt. Rainier Alpenglow by Lolly Shera
Detail · From Golden Hour · September 2026
Worldwide

The doors are open everywhere the show is up.

Every exhibition opens online the moment it opens in person — in full, in resolution, for the duration of the show. The collector in Tokyo, London, New York, or São Paulo arrives on opening night with the same standing as the visitor walking in off the street.

Worldwide · Continuous
Virtual Gallery Walk

The exhibition in full, on any device, in any city, for the duration of the show. Same selection as the physical galleries, same opening hour, same standard. Inquire about any piece directly. Available wherever you collect from.

Visit the gallery virtually →
First Friday · 5–8 PM
Bainbridge Island

The Art Walk evening. Doors at five, exhibition opens at five-thirty, bar open until close. Artists in attendance for most openings.

The Bainbridge gallery →
Last Friday · 5–8 PM
Park City

Gallery Stroll on Main Street. The same exhibition that opened on Bainbridge, now in mountain light.

The Park City gallery →
Featured · Golden Hour
Deep Lake by Lisa McShane — oil on wood panel

Lisa McShane

Oil on Linen & Wood Panel · Rivers, Lakes and Light

Lisa McShane paints the deep waters, rivers, forests, and land of the Pacific Northwest and the intermountain West. Her great-grandparents on both sides were settlers near the Columbia and Snake Rivers in eastern Washington, and she grew up hearing family stories about how the Columbia used to be. Her father was in the Air Force; her earliest drawings were of the roads and mountains she saw on road trips home to Connell. She began oil painting at twelve, when her mother enrolled her in Saturday lessons at Herr Ludwig's studio near Ramstein Air Base in Germany — and Saturdays are still dedicated to painting today.

Eventide II by Lolly Shera — oil on linen on panel

Lolly Shera

Oil on Linen on Panel · The Salish Sea and Mt. Rainier

Eight paintings of the Northwest at its quietest hours — Mt. Rainier under alpenglow, the Salish Sea at last light, clouds reflected at sea — from a seven-by-eleven-inch study to a forty-by-fifty-inch Rainier. Shera joins the gallery for Golden Hour, her first show with us.

Golden Hour — the full show
Currently available

From the room to yours.

Each piece ships internationally with full provenance documentation, payment plans available, and a fourteen-day in-home trial.

Mt. Rainier Alpenglow — Lolly Shera
Mt. Rainier Alpenglow
Lolly Shera
Oil on linen on panel · 40 × 50 in (H × W)
$8,000
Summer on the Snake River — Lisa McShane
Summer on the Snake River
Lisa McShane
Oil on Linen on Panel · 36 × 48 in (H × W)
$7,300
Eternity #102 — Siddharth Parasnis
Eternity #102
Siddharth Parasnis
Acrylic on Canvas · 26 × 60 × 2.5 in (H × W × D)
$17,000
 >
All works · Available now
How it works at JG Art Gallery

No insider club. No password. No price-on-request games.

Collecting was always supposed to feel like this. Plain English, plain price, plain path — first piece or hundredth.

  1. Browse online, walk in, or visit virtually.

    Same exhibition, same selection, same standard — wherever you collect from.

  2. Inquire on any piece.

    A real human responds within one business day, from a named gallery contact, with the answer to your actual question.

  3. See the work in your home for fourteen days.

    Live with it, photograph it, hang it where you imagined. If it doesn't hold its room, send it back.

  4. Pay over up to twelve months, in-house.

    Or with Affirm, or with Klarna. Whichever fits the way you actually move money.

  5. White-glove worldwide shipping included on every piece over ten thousand.

    Insured, tracked, climate-handled, signed for.

  6. Provenance documentation arrives with the work.

    Chain of custody, attribution opinion, indicated market range. The kind of paper you'd expect from research, not retail.

Collecting was always supposed to feel like this.
Sanctuary — opens Friday
Speak with the gallery directly: hello@jgartgallery.com · or by phone, +1 206 300 0000
The Artists

A program is a list of people, but a list is not a program.

Painting that knows what it's doing. Sculpture that knows where it stands. Mixed media, photography, prints — all asked to do the same thing. Every artist represented by JG Art Gallery has been chosen against one question, and the answer doesn't change with medium, region, or career stage.

Find them on your own time. The program rewards patience.

Meet the roster Or visit the Provenance Collection
JG Quarterly

Field notes, exhibition essays, and provenance research — quarterly.

A publication, not a blog. Longform writing on the artists, the work, and the questions a serious gallery program raises. First issue: Material Mediations · Spring 2026.

Read the first issue