The decision a gallery makes — over and over, exhibition after exhibition — is which artists to put on the wall and which conversations to keep open. We have been making that decision in the Pacific Northwest for decades. Some of the artists on our roster have been with us for most of that time. Others arrived recently and are doing the strongest work of their careers right now.
The program is not built around price points or movements. It is built around artists whose practices we trust and whose work the gallery can stand behind. Most of them work in the Pacific Northwest or the Mountain West. A few work elsewhere and ship in. All of them know us by name and we know them.
What sits behind every show is the same proposition: a curated room, a maker who is present in their statement, and a research file that follows the work. A gallery's job is to have an opinion, document it, and stand by it. We try to do that, exhibition after exhibition.